Here's what I recall of the game of Polaris we played April 1st at Game Day at Endgame in Oakland. I brought along handouts and character sheets and helped everyone work together to make up characters and story.) In three hours three of the Knights dropped from 4 to 1 Zeal and two others to 3. Springtime for Etzlitotec Enif, 1, Exile, Four Birds Lord of Carrion Mistaken: Two Jackals, one of the 29 Dukes and an enemy of Four Birds Atlas, 1, Relationship with Etzlitotec Princess of Spring, Song of Truth Mistaken: Hydra Full Moon: Curator of the Leftmost Museum New Moon: Etzlitotec Princess of Spring Arrakis, 1, Dancer who greets the spring, Idea: The South Full Moon: Squire Mistaken: Siren of the South New Moon: ? Aquila, 3, Greatest Duelist of the Age, Aide to Senator Altair Mistaken: Senator Zhou Full Moon: Senator Altair New Moon: Tania Borealis, 2nd greatest duelist of the age Orionis, 3, Club of Submission, Fate: Love Mistaken: Nemesis, the Uncatchable Beast Full Moon: The Master Hunter New Moon: ? Our Common Fate was Hydra. I was Aquila's player, and have played twice before and read the rules a lot, so acted as a teacher and facilitator to the other players. Enif's player had played once before. The other three players were new to Polaris. Most of the players had fun, but there was some degree of roughness from players who didn't know each other meshing their differing views of the world, and at the start the Mistaken tended to be too soft in what they pushed for. In hindsight I think I erred in not reading at least a few of the moments frozen in time from the first page, to give people a better idea of the style being sought. Still, there were some very nice moments, which I will now hopelessly butcher in the retelling. I was too busy playing to take any notes so this is from memory a week later and I'm no doubt misremembering bits, and certainly I'm leaving out lots, but I hope it'll convey a little of the flavor of what happened. Long ago, the people were dying at the end of the world. Of the fate of Enif, who bound Four Birds, Lord of Carrion, I shall not speak. But hope was not yet lost, for Atlas still heard the song of the stars. Atlas's mistaken was also our common fate, Hydra. His full moon was the Curator of the Leftmost Museum, his new moon was Etzlitotec, Princess of the Spring, who he also had a relationship to as an Aspect of his Fate theme. Atlas's first scene was visiting the Leftmost Museum where he served the curator, bringing him various strange things from the wastelands to be studied or locked away. I was his Mistaken, and wanted to push hard to demonstrate, so as he strode up the stairs he was attacked by shadowy figures, whom he slew, but only if they died without speaking and one injured him with a poison, but only if it was a slow acting poison whose cure was known to the curator, but only if finding that cure would involve a dangerous journey through the wasteland, and that was how it happened. The city guard showed suspiciously quickly to investigate the fight, and arrested him, which was asking far too much (exhausting his office theme using the aspect Knight of the Order of the Stars I think), so instead they sought to kill him, but he sang his Song of Truth and stripped away their false skins to reveal wicker men cunningly woven from the stems of strange but beautiful flowers. The curator recognized the wicker flower men as the tools of Etzlitotec, Princess of the Spring, but in examining them became poisoned with the same poison as Atlas, linking the false guard to the first set of assassins. Atlas journed into the wastelands to find a cure but instead found Etzlitotec, who asked him to be her knight, which he agreed to (experience check), and she kissed him and burnt the poison from his system. He fell hopelessly in love with her. She asked him to slay the curator of the leftmost museum, which was asking too much, so instead she asked him to bring the curator to her in the wastes, which he did (another experience check). She hollowed the curator out and took his skin as her own, taking his form and infiltrating the Museum, whose secrets were now open to her. Deep in the Museum's vaults she found a terrible thing, The Weapon of the Ancients (sometimes also known as the Weapon Without Answer), which she offered to her knight, but only if he gave up his Song of Truth, which he agreed to but only after singing it one last time, and as as he sang it her stolen faces were ripped away one by one, showing lost friends, a senator, and at the very last, under all the others, Atlas' own face twisted in a scream of terrible agony. This made him love her more, and he accepted the weapon but only if the assistant curator saw him trafficing with the mistaken and fled to tell the other Knights but only if Atlas caught and slew the assistant before he could reveal what was going on but only if he used the Weapon of the Ancients to do so which not only destroyed the assistant, but also destroyed every memory of the assistant in everyone who had ever cared for him. Atlas' player erased Starlight Sword and Song of Truth from abilities and replaced them with Weapon of the Ancients. But hope was not yet lost, for Arrakis still heard the song of the stars. Arrakis, who had the ability Dancer Who Greets the Spring, and Fate of Idea: the South, journeyed far to the south in the hopes of learning some way to correct the mistake through their dances. He was accompanied by his faithful squire, and in the south was offered a powerful sword made from the bones of dead knights, and armor which no starlight sword could pierce (made from something else icky, I believe), and he took those and discarded his own weapon and armor but his squire gathered them up to keep in case he needed them back later, as a good squire should. On his return north Arrakis met Etzlitotec, who danced with great grace as flowers sprung up where her feet touched, although the blossoms were as poisonous as they were beautiful, as was she. She agreed to teach her dance to Arrakis so he could take it back to the People and teach it, and those who danced the new dance would know joy, but only so long as they were dancing, and when they weren't dancing they would be hollow with despair, and in years to come they would kill themselves to end their suffering, and that was how it was. But hope was not yet lost, for Orionis still heard the song of the stars. Orionis was the greatest of hunters, a solitary knight who preferred chasing strange prey across the snows rather than defending the remnants from armies of Mistaken. Instead of a starlight sword he carried a Club of Submission, and even with the advice of the elder Master Hunter (his Full Moon) he had yet to catch the Uncatchable Beast (his Mistaken), but had enjoyed both hunting and being hunted by the creature. The Hunter advised him that the only sure method was to bind his true love to one of the icy spires in the wasteland, which the beast would be unable to resist the allure of, but Orionis was unwilling to do that. Still, his neglect of defending the remnant while out hunting the beast also kept the beast occupied and away from the city. In the course of one of these hunts the Beast came across a circle of the People dancing a joyous dance brought from the south, outside the safety of the city and under the stars, and devoured them! But only if the crystal purity of their souls passed through the Beast into his droppings, and from those grew up children (like dragon's teeth sown in the ground) who Orionis adopted and taught well to grow up to be knights themselves, but only if the corruption of the beast was still in their hearts and in the end they would meet a terrible fate and that was how it happened. But hope was not yet lost, for Aquila still heard the song of the stars. And so it was that Aquila was passing the time enjoyably testing his skills against Tania Borealis, who in any other age would have been acclaimed as the greatest of duelists, but due to her unlucky stars had been born into the same time as Aquila and was therefore only second greatest. A band of Mistaken assaulted the city and the two knights handily dealt with the assault, except for the largest and most terrible of them, who grievously wounded Tania before falling to Aquila's sword, but only if Tania moved from the New Moon to Mistaken because Aquila had ignored her injury to continue fighting (and getting an experience check. "A swordsman lives or dies by his own skill, and does not rely on others.), but only if Tania then went to work for Senator Zhou, the corrupt foe of Senator Altair and Aquila's mistaken. So it came to pass that Arrakis, armored in his gruesome vestments of the south, and dancing the corrupt dances that Etzlitotec taught him, was sliding ever further away from the ideals of Knighthood, His squire (Full Moon played by Atlas' player to his right) gave an impassioned speech to try to save him, but this displeased Etzlitotec who called upon her lover Atlas to dispatch the pesky squire. There was a bit of a love triangle brewing among Atlas, Etzlitotic and Arrakis. Atlas, with the Weapon of the Ancients, and Arrakis, with his Sword of Bone, battled for a year and a day and Atlas slew his own love Etzlitotec with the Weapon, destroying her, but only if she returned the next spring as she always did, but only if forever after she died again with each autumn. Also somewhere along there the Corrupt Knights Orionis had raised and trained all perished. In the end the battle was a stalemate, albeit a very epic one. The last scene involved Atlas atop the highest tower in the remnant, facing Hydra, the Mistaken of a hundred shadows who had manipulated events all along, and was terribly confident knowing he could be harmed by no weapon save one lost long ago in the vaults of the Museum where no man knew to find it, but Atlas wielded that very weapon, and Hydra was destroyed by the Weapon of the Ancients forged for that purpose, and so was his memory in everyone who ever cared for him, so there was nothing for him to restore himself from. But that all happened long ago, and now there are none who remember it.