2 July, 1997

Too Much, Not Enough

Too much to do, not enough time, of course. It's always this way, and every time I start catching up with myself I pile on more things to keep me busy. I don't know why, and I don't know if it matters. I'm sure it's some sort of coping mechanism... but maybe I just like being busy.

I keep saying that once I'll get to LA I'll have more time. I think that's true, actually. I don't know many people down there, so I won't have as many social demands, thus hopefully allowing me to concentrate on all the things I'd be doing now if I had the time -- like writing more often. Like school, which I'm doing despite not having enough time for it.

Earl claims that as soon as I'm down there I'll start accumulating a social circle. We'll see.

* * *

My week was supposed to be very straightforward:

  • I work.
  • I go to class.
  • I come home exhausted.
  • I do some homework and housework.
  • I fall into bed and sleep like a rock for a few hours, then repeat.

Not much fun, but efficient. Definitely efficient.

Instead, though, I've been getting sidetracked. Monday night Earl phoned me to let me know how his German final went, and we had a nice conversation filled with trivia before I let him go eat dinner. I also did two loads of laundry. Last night, post-class, I went to Jumping Java and was flirted at by the guy behind the counter. Cute, blonde, a little shaggy, way too young. It was flattering, though. Marith met me there; I ate ham-and-swiss on a croissant and we talked for nearly two hours. It was good to have a long conversation with her that wasn't full of our mutual angst.

(It occurs to me that 'way too young' means he was probably about my age. Maybe a few years older, even. I'm not sure what this says about my mental image of myself... well, yes I am. I think of myself as being in my late twenties even though I'm not. This is going to be embarassing in a few years, I can tell already.)

I put on music when I got home -- the OCR of Sondheim's Assassins , which is a (fairly controversial) musical about people who tried to kill American Presidents -- and started in on my homework. Finishing the first problem set took me about an hour, which is somewhat worrisome; I have six more to do in the next week, and at an hour each I'm not going to have much of a social life.

Then I started listening to the music.

I'm susceptible. I'm so damn susceptible. Any well-written and/or well-performed piece of drama is going to hit me in the gut. I listened to just the fourth track of Assassins, which I'd describe if I thought a description would mean anything to anyone. I listened to it, and was hit by so many things, so much emotion. Memories of a time when I was falling apart (quietly and politely, mind; very few people who knew me during that period had any idea how miserable I was) and this musical was my lifeline. I played it incessantly. In doing so I gained an appreciation for American history that I'd never had before.

That wasn't all though. I empathise easily, probably too easily. Listening to the music it was so simple to feel for the characters, for the real historical person who thought he was fighting a war for freedom and whose name is almost completely unknown. Leon Czolgosz, the assassin of President McKinley (bet you didn't even know McKinley was assassinated, did you?), had a miserable life as a factory worker, got involved with anarchists, and killed McKinley in order to strike a blow for downtrodden workers everywhere. He's been chalked up as a lunatic ever since, but from all accounts of those who spoke with him between the assassination and execution (he made no attempt to struggle or escape) he was perfectly rational. Would we argue that someone who assassinated Hitler was a lunatic?

American history is full of incredibly icky bits. I wish I'd known this during high school, as it would've made my history classes much less boring.

That was definitely a tangent, but probably more fun than listening to me recall two-year-old angst.


©1997 Cera Kruger

Previous Index Next